

Now, when we say he didn’t make much, we’re still talking about a $250,000 pay day.
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That gave him a huge amount of power, and ultimately increased his pay for the rest of the series exactly what any actor would want. While there are a few other celebrities who are more fit ( Jason Momoa, we’re looking at you) he definitely wasn’t a question after they saw him in the casting room. Do we even need to explain why he’s worth the increase? Just look at the guy. Having started out earning a mere $250,000 for the first movie, he and Johnson increased their income quite a bit the second and third times around. This translates into his pay scale for the Fifty Shades movies. While he’s no Christian Grey in real life, he is a guy who looks like he could take on anyone that stands in his way whether that’s someone who budges in line at the donut shop or someone who insults him and his family, we’re pretty sure Dornan won’t put up with any disrespect. Just take a look at his social media sometime. Jamie Dornan, along with that sweet angel of pure delight known as Dakota Johnson, is the lead in this series, and we personally think they were both very well suited to their parts especially together. Elena already didn't like Ana, and this probably won't make her more likely to leave the happy young couple alone.The Fifty Shades of Gray franchise has been supplementing fantasy time for many people since it first came out. Christian later told Ana that they had decided to end all ties with Elena, including cutting her out of their business deals. Grace, who considered Elena a close friend and business partner, had no idea that Elena carried on an affair with her then-teenage son, and promptly slapped her and threw her out of the house. Robinson, who leaves Christian's party in anger after Christian's adoptive mother Grace overhears her talking to Christian about their relationship. There's also Elena Lincoln, aka Christian's Mrs. Jack isn't the only potential threat to Ana and Christian at the end of Fifty Shades Darker. Ana and Christian might thing they're on their way to Happily Ever After, but Jack Hyde is definitely not done trying to come between them. Outside the party, he looks at a printed out photo of the Grey family and burns a hole through Christian's face using his cigarette. (It is as terrifying as it sounds.) After the sexual threat, Christian called the CEO and had Jack fired, and now Jack wants revenge. Earlier in the film, Jack cornered Ana in his office and aggressively propositioned her, sexually harassing her and forcing her to defend herself to run away. Christian is slowly learning to open up to Ana and is loosening up on his dominating tendencies (sort of), and after Ana is held at gunpoint by one of Christian's former submissives and Christian narrowly escapes a helicopter crash, they decide they want to skip the whole living together/getting to know one another/having a quiet relationship thing and go straight to the altar.īut, while they are busy celebrating their engagement at Christian's elaborate birthday party, Jack Hyde, Ana's former boss, stands outside, menacingly. So, let's start with the happy news: after re-establishing their romantic relationship without a sex contract, Ana and Christian are happily engaged to be married. Spoiler alert: there is a threat still looms around the corner after the movie's conclusion.įifty Shades Darker ends with an engagement, a fancy party, a slight family blow out, and a threat. And while the Fifty Shades Darker ending looks happy, looks can be deceiving. In Fifty Shades Darker, the stakes are way higher than just Ana and Christian's relationship: it's life and death.



The sequel, Fifty Shades Darker, however, has a much more intricate and thriller-inspired plot than the first film, as fans of the original book trilogy know. Yes, I wanted to see Anastasia Steele fall in love with possessive billionaire Christian Grey, but I also just wanted to see an erotic romance in theaters, and I was not disappointed. I'll be honest, I didn't see Fifty Shades of Grey for the plot.
